Converting a Selection From Mono to Stereo.Converting From Stereo to Mono While Saving.Converting a Selection From Stereo to Mono.Converting a stereo file into a mono file mixes the stereo channels to a mono channel. Converting a mono file into a stereo file produces an audio file that contains the same material in both channels, for example for further processing into real stereo. You can convert audio files from mono to stereo and from stereo to mono. Converting From Stereo to Mono and From Mono to Stereo.When opening files via the Unknown Audio option, you can specify how to interpret the format of the audio file that you want to open. You can turn selections into new files via drag and drop, via the context menu in the wave window, or by using the Render tab in the Audio Editor. You can assemble an audio file from several audio files. Inserting Audio Files into Another Audio File.When saving audio files, you can specify various encoding options for some file formats. The process of converting audio to another format is called encoding. You can change the file format, sampling frequency, bit depth, and stereo/mono status when saving.Īudio can be saved in different formats. You can create an empty audio file, to assemble material from other audio files, for example. WaveLab Elements can open and save audio files in a number of file formats. It is always one channel or a channel pair. A channel cluster is a logical group of channels. These channels are organized in channel clusters. All editing operations can be performed on either one channel or on both.Ī multichannel audio file is a set of audio channels. WaveLab Elements is very flexible in its handling of stereo. This section describes the principal editing operations within the Audio Editor. The tabs in the Audio Editor give you access to the tools and options you need to edit audio files. Here, you view, play back, and edit individual audio files. The wave window in the Audio Editor displays audio files graphically. This chapter describes the methods for controlling playback and transport functions.Īudio file editing refers to opening, editing, and saving audio files. For example, rename files from within WaveLab Elements or save files in various ways. In WaveLab Elements, you can handle files in various ways. Each environment contains functions that are tailored to the specific purpose of each file type. The Workspace window provides an editing and playback environment for each particular file type. Getting accustomed with these procedures allows you to work more effectively with the program. This chapter describes general concepts that you will use when working with WaveLab Elements. This leaves room for additional small tweaks, and easy ability to make a vinyl friendly cutting master, as opposed to being locked in to something that is already digitally limited with no easy way to undo it, or fine tune it.The following list informs you about the most important improvements in WaveLab Elements and provides links to the corresponding descriptions.īefore you start working, you need to make some settings. I really enjoy capturing back to digital on a montage track without any digital limiting. You could also make a mult copy and send that elsewhere to A/B before and after analog processing.Īnyway, I think it’s a valid feature request to have Input FX but at the same time, I would not want to capture audio with the limiter committed. I do this to feed more than one DAC at a time, and I choose on my mastering console which DAC is best to feed the gear. You can simply route the output of a Reference Track to one or more stereo outputs. If you place a song on a Reference Track, you do not need to use the External FX plugin at all. I do recall somebody posting on here that found some kind of unexpected workaround for that, but I don’t recall how to do it. I think what you’re looking for would be Input FX which WaveLab doesn’t have.
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